‘animation films 2009’ Tagged Posts

Animation Films

animation films In which software do the animation films are created? Why it takes more time and money to create new animated films more details on creation of animation films............... 3D...

 

animation films

animation films
In which software do the animation films are created?

Why it takes more time and money to create new animated films more details on creation of animation films...............

3D Animated films are created with various programs. I'll list ones i know of, Maya, Houdini, 3Ds max....i think Maya and 3Ds Max are the main ones.

2D Animated films are created with ToonBoom, Flash, (usually Adobe After effects is used in some cases.)

Of coarse they're many more programs. It takes a long time especially for 2D because you need to create 24-30 drawings per second of film. (Time varies but the standard is 24fps-frames per second.) On top of that it goes to a key Animator to draw up the basic poses and timing and then to a junior Animation for the in-betweens that connect each pose together. Then you have storyboard artists, character design, colour, special effects blah blah blah. So it takes a bit of time. (The Princess and the Frog was created using Toonboom, and i believe that the Simpsons use this program as well.)

3D is a bit simpler because you can manipulate a rigged character to a pose, work out the timing to the next pose and the program puts everything in-between. (Flash can do this too, but Flash is usually used for television vs theatre releases. Its easy to spot a flash Cartoon they are usually stiff and not really that well animated. ( I heard Southpark uses Maya oddly)

Movies cost a lot when you add up all the departments it takes to make a movie. For 3D you need a modeller to model the objects, characters, backgrounds for the movie. You need a texture artist that applies a rendered surface so that lets say a ball would be modelled and by default its grey (in Maya) and then the texture artist comes in and applies colour and whatever with texture maps. Then you need a Character Rigger that will rig a character so that when you manipulate a characters body part it'll act natural like a real body would. Then you need a weight painter that pretty much paints onto the character model telling Maya when the left hand moves, this area of the model moves with it ....its hard to explain the weights painted process. Then you have Character Animators that Animated the characters, special effects artists (who do stuff like rain, how a bottle would break when struck, lazer beams, dust, whatever else...these are just examples.) Then you have a Lighting department that takes care of manipulating real life type of lighting inside each scene of an animation. Production staff that do the things like mentioned above, character design, background design, storyboards, rigging, modelling and so on. Sound department and a rendering department. Rendering is interesting because what it'll do is take all this information (Animation, textures, models, lighting, sound, whatever else) and combine it together for the end product. Rendering can take months to finish for a feather film. It eats up a lot of time in the production of a film. I know you can search to find out how long it takes to render each scene. For example a simple household computer like mine took 2 weeks to render out a small uncomplicated 1min short. Theres more info on this subject, if you wish to know more about Animation it self heres a couple books i can think of;

The Illustration of Life- Disney
The Animators Survival guide <-MUST HAVE

Anyways, you add this together and you're paying you staff quite a bit for a year or two or more's work for theatre length film. Television is a bit cheaper and everything seems to be going the flash route which is a lot quicker to do a 20min episode which is less money the studio eats up financially.



 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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Film Review: Monster House

Director Gil Kenan’s MONSTER HOUSE is a welcomed release from all the other resent studio animation in that there are no singing/talking animals/cars/fish/etc. and its not about the whole “family” unit.

This is actually a very fun adventure film with scares about children at that age where they must “grow up” and rely on themselves. This film is in the same vein as GOONIES or THE MONSTER SQUAD and like the former film it takes itself seriously even in the wake of a very funny story with characters whom you actually care for.

I’m not a fan of the “Disney-style” animation that every other studio and there mother has been copying for the last few decades. In fact, I’d rather watch WATERSHIP DOWN, THE CAMEL BOY, AMERICAN POP, FRITZ, THE CAT, or WIZARDS, rather than watch another Pixzar film about talking fish and/or cars. Been there, done that. It’s just not that original anymore, so, its good to see that in this over abundance on “Disney-knock offs” (i.e. THE ANT BULLY, BARNYARD, OVER THE HEDGE, ICE AGE 2, and countless others) there’s at least one Amercan produced animated film that’s actually worth watching.

I’m sure all those other films mentioned are fine but what’s left for us Americans to make talk? The slug (although FLUSHED AWAY has a few of those)?

It’s also conforting to know that they also used actual children to voice the children in the films, whereas, most other studio animated films rely on big name talent. I dare you to find one big name actor who hasn’t done an animated film now a days.

Although there are good supporting big name talent - Steve Buscemi, Maggie Gyllenhaal, Jason Lee, Catherine O’Hara, Jon Heder, and Kathleen Turner, they all have relatively small roles that do not over shadow the children.

I also must credit screenwriters Dan Harmon and Rob Schrab with a tremendous script that never lets up on the action and suspense because in Kenan’s hands they crafted one of the true animation highlights in years.

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